The Boat II is a hand-pulled screenprint with diamond dust on an original 1980's One Pound note by Jayson Lilley. From a limited unique varied edition of 50 this artwork is signed and numbered by the artist.
Need Help?
Artwork Details
Hand pulled screenprint with diamond dust on original 1980's One Pound note
Size: Image size: 15.5 x 6.5cm Signed and numbered by the artist
Additional Information:
Due to their hand finished nature all artworks within this edition are varied and unique.
Shipping & Returns
UK
Delivery is free on orders over £100. You can also select free collection from our London studio when you checkout. Home delivery for framed artworks costs £9.50 Some artworks require specialist packing materials, e.g. sculptures, which attracts a small surcharge. Find out more on shipping & returns.
Europe & Worldwide
We deliver worldwide. Our shipping costs vary by country. Find out more on shipping & returns.
Returns
We are confident that you’ll love your artwork, but if for whatever reason you decide it’s not for you, you can return it within 30 days of receipt. Find out more on shipping & returns.
Price match
30 day returns
Courier shipping
Featured In:
Jayson Lilley is a contemporary artist working at the forefront of printmaking practices, incorporating painting and collage techniques into his process. Jayson Lilley’s art has a distinctive approach towards modern landscape, focusing on architecture and zooming in on familiar landmarks.
Jayson Lilley is a contemporary artist working at the forefront of printmaking practices, incorporating painting and collage techniques into his process. Jayson Lilley’s art has a distinctive approach towards modern landscape, focusing on architecture and zooming in on familiar landmarks.
Jayson Lilley takes the ordinary aspects of urban life and makes them extraordinary. Lilley grew up in a seaside village in Devon, and countryside influences can be detected in his artworks, as he highlights and exaggerates the scale of expanses of natural space with gold leaf. Lilley’s reproductions of iconic structures, landmarks, and buildings are placed on wide open skies that are created with gold, copper, or platinum leaf. Lilley's pieces begin with the artist taking hundreds of photographs of the city, which are then meticulously patched together. Before turning his hand to printmaking, Lilley spent fifteen years as a book cover designer in London, where his creations achieved an award-winning reputation within the realm of graphic design and advertising. It is clear to see how his professional experience informs his art, from the illustrative approach to the bold colours and limited palette. Lilley’s artwork is now held in collections across the world, from New York to Japan, Hong Kong to Moscow. Jayson has been shortlisted for the Westmorland Landscape Prize and has exhibited widely, including at the Royal Academy’s Summer Exhibition.
We love Jayson’s innovative triaging of silkscreen, painting and collage to create electric compositions that are filled with colour. When prompted about how his love for art came to be, Jayson responded: “I was always making things as a child... not being too academic, I found drawing, painting and creating a lot more fun than reading and writing.” Jayson seeks comfort within his artform, and that seeps through to the viewer; Jayson succeeds in creating landscapes that are full of warmth and familiarity.
