Hate's Outta Date - Yellow is a screenprint on Somerset Satin Paper by Harland Miller. From a limited edition of 125 this artwork is signed and numbered by the artist.
I have made two separate versions of this edition – not because it’s worth saying twice – although it is, but more evidently to do with the colours of two paintings I made on the same subject: one blue, one yellow. I made them some years ago now, experimenting with how colour changes the way in which you read a text. Without contradicting myself I hope we can come together here as individuals to say, ‘OK, looks like hate may not be out of date, But this, this is how we feel about it.'
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Artwork Details
Screenprint on Somerset Satin Paper
Size: Signed and numbered by the artist No apparent condition issues
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Harland Miller is a Yorkshire-born artist best known for his recreations of classical Penguin Book covers. Miller’s series of book-inspired paintings marry his two passions together: art and words. We love how Miller is influenced by pop art and abstraction, using humour and bold colours to form a new and unique style of typography artwork.
Harland Miller is a Yorkshire-born artist best known for his recreations of classical Penguin Book covers. Miller’s series of book-inspired paintings marry his two passions together: art and words. We love how Miller is influenced by pop art and abstraction, using humour and bold colours to form a new and unique style of typography artwork.
His sardonic statements are a witty reimagining of well-known novels, giving new life to classical writing. Miller’s artworks further enrich the history of these books, but with a signature twist. Harland Miller was born in Yorkshire, UK, and now lives and works in London. He is also a successful writer, having published numerous books. Miller has exhibited his paintings across the UK, appearing the The RA Summer Exhibition three times, and hosting solo exhibitions at York Art Gallery and BALTIC Centre for Contemporary Art to name a few.
We love how Harland Miller is influenced by pop art and abstraction, using humour and bold colours to form a new and unique style of typography artwork. His sardonic statements are a witty reimagining of well-known novels, giving new life to classical writing. Miller’s artworks further enrich the history of these books, but with a signature twist.
