No! This Is Sad (from A Journey To Death) is a 2 colour lithograph on Somerset Velvet Warm White 400gsm by Tracey Emin. From an edition of 50, this piece is signed, numbered and dated by the artist.
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ARTIST STORY
Tracey Emin lives and works in East London and Margate, UK, and is known for her autobiographical and confessionary artwork. She works in a variety of mediums: drawing, painting, sculpture, film, photography, neon text, and sewn appliqué. We love the openness of her exploration of her personal history and how it's distilled into her creative process. Emin’s raw emotions are evident throughout her artworks, and yet she somehow straddles both intimacy and universality in her art. Of her practice, she has said: “The most beautiful thing is honesty, even if it’s really painful to look at.” Emin came to prominence as one of the “Young British Artists” of the 1980s, and has since exhibited across the world. She was nominated for the Turner Prize in 1999, and in 2013 was awarded a CBE (Commander of the Most Excellent Order of the British Empire). Emin’s artwork is held in some of...
Tracey Emin lives and works in East London and Margate, UK, and is known for her autobiographical and confessionary artwork. She works in a variety of mediums: drawing, painting, sculpture, film, photography, neon text, and sewn appliqué. We love the openness of her exploration of her personal history and how it's distilled into her creative process. Emin’s raw emotions are evident throughout her artworks, and yet she somehow straddles both intimacy and universality in her art. Of her practice, she has said: “The most beautiful thing is honesty, even if it’s really painful to look at.” Emin came to prominence as one of the “Young British Artists” of the 1980s, and has since exhibited across the world. She was nominated for the Turner Prize in 1999, and in 2013 was awarded a CBE (Commander of the Most Excellent Order of the British Empire). Emin’s artwork is held in some of the world’s most prestigious institutions, including the collections of The Museum of Modern Art in New York, the Tate Gallery in London, and the Goetz Collection in Munich.
We love how Emin never shies away from using her own often tragic stories in her own artwork, using the act of creating art as a form of therapy. We particularly appreciate the openness of her exploration of her personal history and how it's distilled into her creative process. Emin’s raw emotions are evident throughout her artworks, and yet she somehow straddles both intimacy and universality in her art.
BLOG ARTICLE
Tracey Emin’s new design for the 2015 Brit Award statue has been be revealed ahead of the Award show, which takes place in February 2015. Emin’s imitable scrawled handwriting is a recognisable characteristic of her artwork and has been included on the statue, which reads: “Congratulations on your talent, on your life, On everything you give to others, Thank You”. It is the most recent loving and benevolent statement delivered via the medium of art to come from the controversial artist. In 2012 Emin designed one of the official posters for the London Olympic games alongside other artists including Martin ...
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