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David Wightman possesses an exceptional ability to transform nature into art. But forget realism and holding a mirror to reality: Wightman’s work is all about revelling in the limitless possibilities of artifice, the beauty of mixing colour and playing with composition, to transplant the natural world onto the canvas in the name of art for its own sake.
‘Persephone’ depicts a layered landscape of mountains, sky, land, and river, stretching back like a 2-dimensional diorama. Using thick, textured panels, Wightman works with an eye-catching palette of midnight against ice white, sky-blue against charcoal and dove-grey, for bold, visual prowess. There is a digital simplicity to the image - clean lines, flat colouration, staggered composition - that render the artwork emphatically contemporary: welcome to landscape painting for the twenty-first century.
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David Wightman possesses an exceptional ability to transform nature into art. But forget realism and holding a mirror to reality: Wightman’s work is all about revelling in the limitless possibilities of artifice, the beauty of mixing colour and playing with composition, to transplant the natural world onto the canvas in the name of art for its own sake.
‘Persephone’ depicts a layered landscape of mountains, sky, land, and river, stretching back like a 2-dimensional diorama. Using thick, textured panels, Wightman works with an eye-catching palette of midnight against ice white, sky-blue against charcoal and dove-grey, for bold, visual prowess. There is a digital simplicity to the image - clean lines, flat colouration, staggered composition - that render the artwork emphatically contemporary: welcome to landscape painting for the twenty-first century.