Qualifies for Own Art finance, 10 instalments, 0% interest
From a limited edition of 50, The White Stuff – Spring 6 is an artwork by Michelle Thompson. A giclée print, it is signed and numbered by the artist.
My work is always evolving, when I left college I was producing mainly abstract pieces which worked really well in publishing. Using a computer made my work more narrative, which resulted in more editorial work. I now love a mixture of the two.
Qualifies for Own Art finance, 10 instalments, 0% interest
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Our Notes
In The White Stuff – Spring 6, Michelle Thompson uses collage to create a whimsical image of a field on a spring day. The artwork blurs reality with fantasy to create an idyllic scene that reminds the viewer of the pictures found in childhood books. We love the way Michelle uses pattern to add texture to the artwork and enhance the playful, dreamlike nature of its appearance.
The bright, joyful colours and subject matter make this work suitable for a variety of interiors. It could be used to add colour to a blank space or add extra fun to a gallery wall.
Artwork Details
5 colour silkscreen with glitter varnish
Size: Image size: 29.7 x 42cm Signed and numbered by the artist
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Illustrator and Collage Artist Michelle Thompson’s work combines found materials (books, magazines, packaging, photographs, postcards and other printed ephemera) with painted, drawn and printed elements. Her work alludes to shared memory – cutting-up and reassembling images from recent history, to reflect contemporary themes and popular culture. Regular illustration clients include The Guardian, The New Statesman and The Evening Standard.
Illustrator and Collage Artist Michelle Thompson’s work combines found materials (books, magazines, packaging, photographs, postcards and other printed ephemera) with painted, drawn and printed elements. Her work alludes to shared memory – cutting-up and reassembling images from recent history, to reflect contemporary themes and popular culture. Regular illustration clients include The Guardian, The New Statesman and The Evening Standard.
Featured In:
AR: What was the driving force behind your choice to become an artist? I have always wanted to be an artist, initially I wanted to be a Graphic Designer and design album covers but that changed once I got to college. AR: Does your artwork have a message? Most of my editorial commissioned work is political and based on current affairs. A lot of my personal collage work is also a commentary on what is happening now but in collage form. AR:Do you keep tabs on art trends or are you all about doing your own thing? I’m really interested ...
