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Artwork Details
5 layer, hand-pulled screenprint on 250gsm Fedrigoni paper
Size: Signed, stamped and numbered on recto; with the publisher's blindstamp Unframed; previously framed; No apparent condition issues
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This artwork ships from an archive seller in Spain
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Martin Watson is a Norwegian-born artist, whose graphic, street style has been evolving on the walls and shutters of cities around the world over nearly two decades. Whatson studied Art and Graphic Design at the Westerdals School of Communication in Oslo, where, alongside learning the tricks and techniques of art practice, he fostered a keen interest in the emergent graffiti art movement of the 1990s.
Martin Watson is a Norwegian-born artist, whose graphic, street style has been evolving on the walls and shutters of cities around the world over nearly two decades. Whatson studied Art and Graphic Design at the Westerdals School of Communication in Oslo, where, alongside learning the tricks and techniques of art practice, he fostered a keen interest in the emergent graffiti art movement of the 1990s.
Inspired by the work of Banksy, Whatson took up his stencils and spray paints and began to develop his own, urban aesthetic: creating monochromatic images from simple stencils, Whatson then fills his works with bright lashings of colourful spray paint. Taking inspiration from the people and places around him, Whatson is drawn to metropolitan spaces, fuelled by decaying architectural sites, peeling posters, and crumbling graffiti walls, signed by anonymous figures. Apolitical, his works are instead concerned with a subtle messages and transmissions of feeling: each, ambiguous piece is designed to evoke emotion in its viewer, and each viewer takes their own journey and makes their own conclusions. An aesthetics of beauty and colour is key. Today, Whatson’s work can be seen in murals across the globe, from Stavanger and Oslo, to Paris and Tokyo, as well as in galleries and private exhibitions, in the form of originals and hand finished limited editions on aluminium, wood, and paper.
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Giclée (/ʒiːˈkleɪ/ zhee-KLAY) is a neologism, ultimately derived from the French word gicleur, coined in 1991 by printmaker Jack Duganne for fine art digital prints made using inkjet printers. The name was originally applied to fine art prints created on a modified Iris printer in a process invented in the late 1980s. It has since been used widely to mean any fine-art printing, usually archival, printed by inkjet. It is often used by artists, galleries, and print shops for their high quality printing, but is also used generically for art printing of any quality.
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