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Allegory of the Absurd 25 is an archival pigment ink print embossed on 310gsm cotton rag paper by Magnus Gjoen. Painted by Artificial Intelligence, this artwork is unique and will only be available once. This artwork is signed and numbered.
AI art refers to artwork created with the assistance of artificial intelligence techniques, such as machine learning algorithms and neural networks. It is a creative expression that can be both surprising and unique. AI art has become increasingly popular in recent years, with many artists and researchers exploring its potential to push the boundaries of creativity and explore new forms of artistic expression.
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Artwork Details
Archival pigment inks on embossed 310gsm cotton rag paper
Size: Image size: 10 x 10cm Signed and numbered
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Magnus Gjoen’s work incorporates a street and pop aesthetic with a fine art approach, combining Renaissance source material with his own distinct motifs and patterns. Magnus Gjoen’s art is the sum of many contradictions, evocative and glamorous yet eerily macabre, and hovers delightfully between styles.
Magnus Gjoen’s work incorporates a street and pop aesthetic with a fine art approach, combining Renaissance source material with his own distinct motifs and patterns. Magnus Gjoen’s art is the sum of many contradictions, evocative and glamorous yet eerily macabre, and hovers delightfully between styles.
Gjoen often explores the relationship between power and fragility through his work, juxtaposing the two states to create the maximum visual and conceptual effect. Magnus sources imagery from museum archives and other fragments from the past to create an unmistakable dissonance within his work. Gjoen had a multicultural childhood, being born to Norwegian parents and living in Italy, Switzerland, Denmark, and the UK. After studying fine art and fashion design, Gjoen turned his attention to the world of fashion. With extensive experience working as a designer under Vivienne Westwood, as well as a denim designer at Lee Jeans, Gjoen certainly knows a thing or two about style. Gjoen’s reinterpretations of skulls, guns, and grenades are created digitally and begin life as a virtual 3D base in illustrator or another design program. From then the artist builds up layers of tone and shading to give the image three-dimensional qualities. Since making the move from designer to artist, Gjoen has built a broad and highly engaged global audience. Since his debut at the Underdog Gallery, Gjoen has had a range of solo shows in galleries worldwide and his work is highly sought-after by private collectors and public clients. Gjoen has exhibited in Milan, Florida, London, Hamburg, Amsterdam, and Stockholm. Celebrity collectors include the likes of Kylie Jenner, Graham Norton and Kate Moss.
We love how Magnus' artwork is a flurry of contradictions. Life and death, old and new, glamorous yet macabre: Magnus toes the line between each contradiction, resulting in a completely unique aesthetic. We love how the artist combines Renaissance and Classical source material with his own distinct motifs, hovering between styles and reinventing traditional artistic techniques. Magnus sources imagery from museum archives and other fragments from the past to create an unmistakable dissonance within his work.