Qualifies for Own Art finance, 10 instalments, 0% interest
Rouen, France, 1992 is an artwork by John Angerson. This is a limited edition photography print, from an edition size of 25.
Qualifies for Own Art finance, 10 instalments, 0% interest
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Our Notes
n a surreal image captured in Rouen, France, a man dons a mammoth-sized outfit, creating a playful and eye-catching spectacle. This unconventional attire seems to defy the norms of everyday fashion, inviting curiosity and perhaps a smile from passersby. It was in fact an unusual promotion for the Mammouth supermarket chain. The iconic Mammouth brand gradually disappeared with the last hypermarket closing in 2009 - These shops were then acquired by the Auchan Hypermarché chain.
Artwork Details
Chromegenic photo print onto Ilford Muitgrade Lustre
Size: Image size: 24.13 x 35.56cm
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John started his career in the early 1990s with attention to the different languages of documentary photography, focusing on how specific communities form, shift and develop.
John started his career in the early 1990s with attention to the different languages of documentary photography, focusing on how specific communities form, shift and develop.
He now splits his time between shooting personal projects, teaching at various Universities and shooting features and portraiture for a range of magazines, charities, and design agencies. We love his sharp, focused photographs that seemingly capture a split-second moment in time. John’s monograph, Love, Power, Sacrifice (published by Dewi Lewis, Manchester), documented the Jesus Army over twenty years and peers into a microcosm of a fanatical religion. His most recent book; English Journey (published by B&W studio, Leeds) was a 4-year photographic travelogue across England in the footsteps of Bradford author J.B.Priestley. The work was shown in exhibitions across the UK and Europe and the book has sold across three continents since its publication. We’ve been working with John Angerson since 2021.
We love how John's sharp, focused photographs seemingly capture a split-second moment in time. Each of his photographs are a snapshot of an unexplained and often bizarre scene, leaving the viewer to fill in the blanks and build their own narrative. From his disparate landscapes to his portraits of famous figures, John leaves the audience wanting more information, whether that be of where the photography was taken or what's happening behind the camera.
