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Published by Galerie Maeght, Paris
Artwork Details
Aquatint on textured Rives paper
Size: 35.6 x 27.94 cm
Image size: 23.5 x 17.8 cm
Limited Edition of 90
Signed in pencil in the margin on lower-right and numbered in pencil in the margin on lower-left of recto
Overall good condition; two minor spots of foxing in margin, not affecting the image
Additional Information:
Frame: 68.6 x 60.96 cm
Shipping & Returns
This artwork ships from an archive seller in the US
Our archive is sourced from our community of vetted galleries and collectors to offer buyers ultra-rare artworks no longer available on the open market.
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Featured In:
Georges Braque (1882-1963) was a 20th century French painter - and occasional lithographer, engraver and sculptor - who invented Cubism with Pablo Picasso. Despite working closely together, their approaches were quite different with Georges Braque proving more considered and Picasso more spontaneous. Concerned with representing a subject in his own way - conveying more than just the image before him - most of his art prints were still lifes.
Georges Braque (1882-1963) was a 20th century French painter - and occasional lithographer, engraver and sculptor - who invented Cubism with Pablo Picasso. Despite working closely together, their approaches were quite different with Georges Braque proving more considered and Picasso more spontaneous. Concerned with representing a subject in his own way - conveying more than just the image before him - most of his art prints were still lifes.
He constantly struggled with the use of colour in regard to form. Through his career, his style changed to portray somber subjects during wartime and lighter, freer themes in between. He was a quiet man but his reputation was such that he received many accolades during his lifetime and was accorded the greatest honour of all in a state funeral when he died in 1963. At artrepublic, admire art prints from one of the creators of Cubism.
What is a limited edition?
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What is Archival Giclée
Giclée (/ʒiːˈkleɪ/ zhee-KLAY) is a neologism, ultimately derived from the French word gicleur, coined in 1991 by printmaker Jack Duganne for fine art digital prints made using inkjet printers. The name was originally applied to fine art prints created on a modified Iris printer in a process invented in the late 1980s. It has since been used widely to mean any fine-art printing, usually archival, printed by inkjet. It is often used by artists, galleries, and print shops for their high quality printing, but is also used generically for art printing of any quality.
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