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Bonnie and Clyde has mastered the art of mixed media collage, blending photography with fine art until the lines of distinction disappear. Her brightly coloured brushstrokes - often depicting modernist architecture, expanses of sea, and palm-tree lined streets - are reminiscent of early Hockney, given an up-to-date twist with a bricolage technique, employed to unrivalled effect.
The Southbank’s Undercroft skatepark has long been an iconic site, but never before has it looked so enchanting as in ‘Framed Southside’. Fanned columns, scrawled with graffiti, ebb away into darkness while, around the tiny figures of the skaters, Bonnie and Clyde has stitched together a world of graphic pattern, colour blocks, and photographic motifs: welcome to the urban imaginary at its most visionary.
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Bonnie and Clyde has mastered the art of mixed media collage, blending photography with fine art until the lines of distinction disappear. Her brightly coloured brushstrokes - often depicting modernist architecture, expanses of sea, and palm-tree lined streets - are reminiscent of early Hockney, given an up-to-date twist with a bricolage technique, employed to unrivalled effect.
The Southbank’s Undercroft skatepark has long been an iconic site, but never before has it looked so enchanting as in ‘Framed Southside’. Fanned columns, scrawled with graffiti, ebb away into darkness while, around the tiny figures of the skaters, Bonnie and Clyde has stitched together a world of graphic pattern, colour blocks, and photographic motifs: welcome to the urban imaginary at its most visionary.