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Bonnie and Clyde has mastered the art of mixed media collage, blending photography with fine art until the lines of distinction disappear. Her brightly coloured brushstrokes - often depicting modernist architecture, expanses of sea, and palm-tree lined streets - are reminiscent of early Hockney, given an up-to-date twist with a contemporary techniques, employed to unrivalled effect.
Two Modernist blocks - one in white, the other black - create a kind of architectural chiaroscuro at the heart of ‘Framed Lesson 1. Happiness’, gesturing towards a series of binaries, buried within the bricolage: the urban vs the natural; the good vs the bad; the abstract vs the figurative; and even technique itself, with the painterly juxtaposed against the digital. A dizzying depiction of the modern world, ‘Framed Lesson 1. Happiness’ powerfully renders the splits and schisms that haunt every facet of our daily lives.
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