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With a moniker like Pure Evil, it’s no wonder the internationally acclaimed street artist extraordinaire revels in a series of ‘Nightmare’ prints. Pure Evil may have come a long way from vampire-toothed bunnies, scrawled onto city walls, but his work continues to live up to iconic expectations. Riffing off Warhol’s famous screen prints, Pure Evil trails the blaze of Pop Art into the twenty-first century, creating a new range of celebrity portraits, each one oozing a black tear as they face their own nightmare.
‘Eddie Fisher’s Nightmare - Plum Liz Taylor’ depicts Hollywood starlet Elizabeth Taylor, her portrait boldly stencilled in shades of plum and violet. Pure Evil has added graffiti tags over her bobbed hair, while the signature teardrop courses down the canvas for striking compositional effect: pure artistic genius.
Charles Uzzell Edwards a.k.a. PURE EVIL grew up in South Wales and was by his own account, the only new romantic in the village. He spent his teenage years customising his own clothes and experimenting with eyeliner. This love of urban street style led him to do fashion degree in London where he earned a bit of a reputation as a troublemaker.
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With a moniker like Pure Evil, it’s no wonder the internationally acclaimed street artist extraordinaire revels in a series of ‘Nightmare’ prints. Pure Evil may have come a long way from vampire-toothed bunnies, scrawled onto city walls, but his work continues to live up to iconic expectations. Riffing off Warhol’s famous screen prints, Pure Evil trails the blaze of Pop Art into the twenty-first century, creating a new range of celebrity portraits, each one oozing a black tear as they face their own nightmare.
‘Eddie Fisher’s Nightmare - Plum Liz Taylor’ depicts Hollywood starlet Elizabeth Taylor, her portrait boldly stencilled in shades of plum and violet. Pure Evil has added graffiti tags over her bobbed hair, while the signature teardrop courses down the canvas for striking compositional effect: pure artistic genius.