Qualifies for Own Art finance, 10 instalments, 0% interest
'Defence of the Inanimate - Bed Pan (Shit Happens)' is a Giclée print by iconic artist Anthony 'H' Haylock. Printed onto 300gsm Somerset Photo Satin paper, the print is from a limited edition of 50 and is signed by the artist.
Much of my work is drawn from the world around me, picking up on social commentary, trending phrases etc and applying them to objects or repurposing objects to convey the idea in an interesting, appealing way
Qualifies for Own Art finance, 10 instalments, 0% interest
Need Help?
Artwork Details
Giclée print on 300gsm Somerset Photo Satin paper
Size: This artwork is signed and numbered by the artist
Shipping & Returns
UK
Delivery is free on orders over £100. You can also select free collection from our London studio when you checkout. Home delivery for framed artworks costs £9.50 Some artworks require specialist packing materials, e.g. sculptures, which attracts a small surcharge. Find out more on shipping & returns.
Europe & Worldwide
We deliver worldwide. Our shipping costs vary by country. Find out more on shipping & returns.
Returns
We are confident that you’ll love your artwork, but if for whatever reason you decide it’s not for you, you can return it within 30 days of receipt. Find out more on shipping & returns.
Price match
30 day returns
Free UK shipping
Antony lives and works in Southend-on-Sea, UK, and works in various media including oil paint, acrylic, and eco-solvent based products.
Antony lives and works in Southend-on-Sea, UK, and works in various media including oil paint, acrylic, and eco-solvent based products.
Of his methods, he has said, “Once I have an idea, the medium is secondary, I just set to work with what suits the end result I’m after.” Inspired by iconic objects, we love the way each artwork is a true conversation between the paint and canvas, paired together to create lifelike artworks that are often surprising and humorous. Antony studied graphics at college and went on to partner with Pez before becoming a prominent artist of the 1980s rave scene. He was later commissioned for murals and large-scale paintings before working in the television world at BBC and Pinewood Studios. He worked for various clients including Sony, LG, Phllips, Panasonic, and Pimms. Additionally, he has exhibited in shows across the UK. On the question of why he makes art, Antony states: “I have always had a fascination for the iconic object. Something that has the power to evoke an emotion, a memory, a visual time stamp, things that compel us to covet them.” We’ve been working with Antony since 2016.
Inspired by iconic objects, we love the way each of Antony's works are a true conversation between the paint and canvas. This dynamic relationship results in the creation of artworks that are often surprising and humorous. On the question of why he makes art, Antony states: “I have always had a fascination for the iconic object. Something that has the power to evoke an emotion, a memory, a visual time stamp, things that compel us to covet them.”
Featured In:
AR: What was the inspiration behind ‘Grate Britain’? Like many artists in the last year, I expected to be painting like crazy over the whole lockdown period. But instead, I felt totally uninspired, questioning everything I was doing or thinking about and second guessing every idea. I found myself focusing on other things to pull through the first lockdown creating 3D printed PPE Visors for the NHS and Key Workers. As an artist who draws hugely on social interaction and the immense lack of that as the lockdowns continued, I turned to social media and news, but the more I ...
