View all Dan David artworks
A future fossil dating from the Anthropocene epoch. Iconic footprints that record the evidence of humanity and the trail blazers that created them.
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Artwork Details
Hand-carved and shot blasted Jerusalem limestone sculpture
Size: Signed and numbered by the artist
Additional Information:
This sculpture comes ready to hang with fixes attached on the reverse.
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Dan David is an award-winning sculptor and stone carver based in Norwich. Dan David’s art is informed by an interest in developing new languages in stone carving. Dan demonstrates curiosity and humour, exploring the relationship between traditional techniques and contemporary visual culture.
Dan David is an award-winning sculptor and stone carver based in Norwich. Dan David’s art is informed by an interest in developing new languages in stone carving. Dan demonstrates curiosity and humour, exploring the relationship between traditional techniques and contemporary visual culture.
Dan trained in traditional architectural stonemasonry, stone carving and letter cutting at Bath and qualified in 1995. Dan investigates the interplay between materiality, concept, and scale, with an experimental approach that marks a shift in conventional practices with stone. Dan chooses the stone depending on the piece he intends to create, and the techniques are informed by his traditional training. Dan represents temporary symbols of the time in a permanent material with historic associations, creating a playful tension. Dan challenges the viewer, sometimes disguising the stone with spray paint. His work is a memorial of the significant and fun memories and experiences of his life, which through carving in stone, he makes permanent.
We love how Dan is dedicated to developing a new sculptural language, reimagining the relationships between traditional techniques and contemporary visual culture. Embracing the unconventional, Dan plays with the permanence of his sculpting materials and the temporary nature of the subjects he chooses to represent. Dan embraces the unconventional and transforms the historical connotations of both the subject and material of his art, playing with ideas of permanence.
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AR: What was the driving force behind your choice to become an artist? Dan: I have always loved working with my hands and enjoy the creative process. My traditional training as a stone carver has its particular constraints and i enjoy pushing the boundaries. AR: Does your artwork have a message? Dan: Not a message as such. I like to play with the ideas of perception and assumption. For instance I often disguise the stone by spray painting it, giving it a new surface so that it challenges the viewer. If anything its more about memorialising. Setting an object in stone, ...
