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Blending retro imagery with contemporary technique, Cocktail Hour captures the spirit of LA cocktail culture: palm-lined boulevards create a greyscale backdrop, overlaid with heavily painted motifs, from 50s TV sets, to illuminated signage. Incorporating elements of screenprint, plywood, and fabric, Bonnie and Clyde creates thick texture for a highly visual aesthetic: this is vintage Americana at its very best.
I love and get inspired by many creative sources. I am fascinated by music and would love to make electronic deep disco but I haven’t got there yet. I love Pedro Almodavar films, Wim Wenders, and appreciate their attention to use of environment and sensory harmony.
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Artwork Details
Hand Finished
Size: Image size: 108 x 78
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Blending retro imagery with contemporary technique, Cocktail Hour captures the spirit of LA cocktail culture: palm-lined boulevards create a greyscale backdrop, overlaid with heavily painted motifs, from 50s TV sets, to illuminated signage. Incorporating elements of screenprint, plywood, and fabric, Bonnie and Clyde creates thick texture for a highly visual aesthetic: this is vintage Americana at its very best.
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Bonnie and Clyde is a female contemporary artist and printmaker who creates visually arresting scenes of urban life. Working from her studio in Brighton, Bonnie and Clyde's art centres around the use of mixed media collages, and she uses photography, paint and print to bring to life her eccentric cityscapes.
Bonnie and Clyde is a female contemporary artist and printmaker who creates visually arresting scenes of urban life. Working from her studio in Brighton, Bonnie and Clyde's art centres around the use of mixed media collages, and she uses photography, paint and print to bring to life her eccentric cityscapes.
Bonnie and Clyde draws from her personal inspirations such as music, film and iconography, subtly incorporating these into her work to create a personal outlook on a public city space. After studying 3D design at Kingston University, Bonnie and Clyde established her own graphic design business in Manchester. However, it was in Brighton where the idea of fusing together her passion for photography and graphics was born, which later became the foundation of her distinctive aesthetic. Music, film, signage and iconography all inform Bonnie and Clyde’s artwork, whilst architecture, street photography, and the coast are central, recurring tropes. Bonnie and Clyde is sensitive to the relationship between the built environment and the natural landscape, and her artworks open out a space in which to explore human interaction in urban sites. Bonnie and Clyde has been exhibited regularly at galleries across the country. She has had solo shows at London galleries 45 Park Lane and Lawrence Alkin Gallery, and has participated in numerous joint shows, where her work has been exhibited amongst the work of Gavin Turk, Yoko Ono and Kim Gordon. We’ve been working with Bonnie and Clyde since 2009.
We love the way Bonnie and Clyde embraces the bizarre, combining multiple methods of artmaking to create a layered collage that reflects the dynamic scenes of her urban environments. Bonnie and Clyde draws from her personal inspirations such as music, film and iconography, subtly incorporating these into her work to create a personal outlook on a public city space. Her paintings are void of a permanent time or place, instead existing in another world of Bonnie and Clyde's own creation.
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Q&A WITH BONNIE AND CLYDE On the occasion of her new release, Everybody Loves The Sunshine (mini), Bonnie & Clyde answers our burning questions about her new work, her practice, and what's next. Everybody Loves The Sunshine (mini) AR: What was the inspiration behind your new print, Everybody Loves The Sunshine (mini)? Everybody Loves The Sunshine (mini) is a dreamscape. A snapshot into an imagined life and is based on pure escapism, the power of the landscape, the power of the mind and illusion. AR: Do you see this work as a continuation of previous work or a series, or ...
