Qualifies for Own Art finance, 10 instalments, 0% interest
'Legs (32)' is an original work by Charlotte Hicks. This original mixed media piece is signed by the artist.
Qualifies for Own Art finance, 10 instalments, 0% interest
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Artwork Details
Mixed media on fabriano paper
Size: Signed by the artist
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Charlotte is a British contemporary artist, currently living and working from her studio in London. Her practice centres around ideas of voyeurism and the male gaze; more specifically, the pervasiveness of sexualised imagery of women in contemporary media. In her work, she creates forms that are originally from newspaper, magazine and Instagram images, which (to her) uphold the idea of women as passive object: existing for the purpose of being looked at.
Charlotte is a British contemporary artist, currently living and working from her studio in London. Her practice centres around ideas of voyeurism and the male gaze; more specifically, the pervasiveness of sexualised imagery of women in contemporary media. In her work, she creates forms that are originally from newspaper, magazine and Instagram images, which (to her) uphold the idea of women as passive object: existing for the purpose of being looked at.
Her works on paper depict classic motifs of the female body that are frequently found in the media we consume daily, but don’t necessarily register or notice. The most recognisable is the Hollywood “Legs”, which Hicks has repeated in different forms to reflect the ubiquity of this image in popular culture today. Charlotte graduated with a BA(Hons) Painting from Edinburgh College Art in 2019.
Featured In:
We here at artrepublic are thrilled to introduce you to Charlotte Hicks, a brilliant feminist painter whose work relays strong messages about women and their role in society. AR: Does your artwork have a message? To me, my artwork portrays a very clear message: it’s a comment on the sheer ubiquity of sexualised imagery of women in contemporary media that we tend not to notice or think about. However - talking to friends and family, I’ve realised that to other people this message isn’t immediately that obvious. Maybe it’s because I place a lot of emphasis on the visual aspects ...
