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The Trip #19

The Trip #19 by Matt Henry is no longer available

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The Trip #19

Giclée print
Artwork size: 91 x 66 cm
Image size: 76 x 51 cm
Edition of 6
Limited Edition

No longer available online

We're unlikely to receive more of this item.

The Trip #19 is a limited edition, signed, giclée print taken from The Trip, a psychedelic photo story from acclaimed contemporary photographer Matt Henry.



About The Artist - Matt Henry


Matt Henry is a Brighton-based photographer, whose work explores the power of fiction through the photographic medium. Inspired by the politics and culture of 1960s and 70s America, Henry’s work is driven by an attention to style and characterisation, each photograph beautifully designed, composed, and executed. Every project is underpinned by a narrative: Henry creates fictional scenes, each one storyboarded and built around dressed locations or sets, and peopled by actors who Henry directs. Yet the result is greater than a glossy film snapshot: every image tells a story, through exceptional attention to detail, a deft sensitivity to light, colour and composition, and the conceptual rigour that feeds his aesthetic. Henry claims that his work “plays with fragments of American photography, cinema and literature to explore underlying ideological concerns.” Henry’s work has been exhibited across Europe, Asia, and North America, as well as featuring in print in a range of publications.
Matt Henry is a Brighton-based photographer, whose work explores the power of fiction through the photographic medium. Inspired by the politics and culture of 1960s and 70s America, Henry’s work is driven by an attention to style and characterisation, each photograph beautifully designed, composed, and executed. Every project is underpinned by a narrative: Henry creates fictional scenes, each one storyboarded and built around dressed locations or sets, and peopled by actors who Henry directs. Yet the result is greater than a glossy film snapshot: every image tells a story, through exceptional attention to detail, a deft sensitivity to light, colour and composition, and the conceptual rigour that feeds his aesthetic. Henry claims that his work “plays with fragments of American photography, cinema and literature to explore underlying ideological concerns.” Henry’s work has been exhibited across Europe, Asia, and North America, as well as featuring in print in a range of publications.

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