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The work of Maria Rivans is known for its mash up of surrealism meets pop-art. Her scrapbook-like collages - with their 1950s pop-culture references - have all the playful delight of an early Paolozzi, mixed with the strange surreality of a Dali, and brought up to date with a certain sophistication and quirky aesthetic, unique to Rivans.
Inspired by Hitchcock’s 1959 classic, North by Northwest, ‘Rushmore’ stitches together an off-beat landscape from disparate elements. Metropolitan architecture dominates the skyline, while pastoral elements burrow underground, creating historic roots for this futuristic hyperscape. Despite the artwork’s title, Rivans omits any visual depiction of Mount Rushmore, the famous final setting for the film’s concluding scene. Nevertheless, ‘Rushmore’ beautifully captures the feel of the flick, without surrendering to slavish representation, for a work of sheer creative power.
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