Author: Rebecca Cox

Dan David Talks us Through 'Future Fossils - Ichnike'

AR: What was the driving force behind your choice to become an artist?

Dan: I have always loved working with my hands and enjoy the creative process. My traditional training as a stone carver has its particular constraints and i enjoy pushing the boundaries.

AR: Does your artwork have a message? 

Dan: Not a message as such. I like to play with the ideas of perception and assumption. For instance I often disguise the stone by spray painting it, giving it a new surface so that it challenges the viewer. If anything its more about memorialising. Setting an object in stone, freezing it in time.

Dan David Talks us Through 'Future Fossils - Ichnike' | Image

AR: Do you keep tabs on art trends or are you all about doing your own thing?

Dan: I love to see what other artists are up to, but I’m mainly inspired by the period i grew up in 80’s-90’s.

AR: What/who are your biggest influences, artists or otherwise? 

Dan: The YBA’s are my biggest influencers. I like their brevity and anarchic approach to giving the establishment of the time the big middle finger.

AR: How has your life and experiences influenced your artwork?

Dan: All of my work is heavily influenced by my memories that hark back to the prime of my life. I set these memories in stone to make them permanent. I am constantly creating memorials to the those formative experiences.

Dan David Talks us Through 'Future Fossils - Ichnike' | Image


AR: What did it feel like when you sold your first artwork?

Dan: Pretty damn good. It reaffirmed to me all the effort and commitment is well worth it.

AR: What’s your favourite creative work (artwork, music, play, film, etc)

Dan: That would have to be Ai Weiwei’s Cao , which I saw at the Royal Academy in 2015. This haunting and technically brilliant piece blew my mind. I have never been so moved and inspired by a sculpture and its maker.

AR: What is your workspace set up like? Are you in a studio/do you work alongside others/are you at a laptop or freehand?

Dan: My studio, which is in an old piggery just on the Norfolk, Suffolk border, is very minimal due to the amount of dust I create. I work at a banker (a stone carvers bench), using traditional carving tools - mallet and chisels. I share my studio space with my wife who is also an artist.

To check out Dan's full collection of sculptures, click here!

AFFORDABLE ART

£55

35 x 50cm

Patrick
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Lee Ellis £75

Patrick

40 x 40cm

£75

40 x 40cm

Tintin Stripe I

35 x 50cm

£60

35 x 50cm

£60

29.7 x 42cm

Birds of Tyne

42 x 59.4cm

£80

42 x 59.4cm

Queen Bee

15 x 15 cm

£60

15 x 15 cm

£85

45 x 45cm

Cats Pyramids

24.7 x 39cm

£35

24.7 x 39cm

Jungle Blooms 1 Small

32.5 x 32.5cm

£50

32.5 x 32.5cm

Progress Not Perfection
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Rob Draper £75

£75

50 x 60cm

Love Heart

35 x 35cm

£65

35 x 35cm

A Walk In Time And Space
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Pahnl £95

£95

50 x 50cm

Flamingo Dreams

50 x 50cm

£70

50 x 50cm

£100

39.5 x 33 cm

Solstice, 2020

38 x 38 cm

£85

38 x 38 cm

Nothing Matters - Remix, 2020
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£98

42 x 42cm

£85

50 x 70cm

£75

28.5 x 28.5 cm

Trooper

15 x 15 cm

£60

15 x 15 cm

£100

42 x 60cm

Honey Bee, 2020
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Honey Bee, 2020

20 x 20cm

£35

20 x 20cm

Zoe Jackson £100

£100

60 x 60cm

Pangolin - Medium
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Lisa Lloyd £100

Pangolin - Medium

40 x 40cm

£100

40 x 40cm

£50

29.7 x 29.7 cm

£100

60 x 42cm

Origin - Remix, 2020
Exclusive

£98

42 x 42cm

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