Author: Imogen Aldridge

An Interview with legendary street artist Carlos Mare

Carlos Mare is a famous figure in the New York urban art scene. The artists sculptural artworks and prints pay homage to graffiti lettering, but also draw from historical art movements. We sat down with Carlos to discuss his artistic journey, his newest print 'Mondrian Bboy Composition' and what's next for him. 

AR: Where does your love of art and creation come from?

Carlos: I learned about art through Graffiti paintings on trains and walls, writing my name was the first art form I practiced and committed to as a youth. Over time as I became better at it I realised I had a talent and began considering other ways to apply it. My true love for art developed when I started visiting the museums across the street from my school, it was there where I learned about the artistic movements in the arc of history. 

An Interview with legendary street artist Carlos Mare | Image

AR: How has your background in graffiti influenced your current work?

Carlos: Graffiti influences my current work subconsciously, some critical thinking and aesthetic gestures appear in some form, this also depends if it is sculpture, painting or drawing.

AR: What have you learnt from the graffiti scene?

Carlos: I'm still learning. The culture shape shifts with every generation, in the digital age it means something different from my generation, there are different tools and ways to connect to the culture globally. Today we teach each other painting skills online and offline, the culture thrives on itself more than ever.

AR: How does your first artwork compare to the art you are making now?

Carlos: My first artworks carry the DNA of what I do now, these elements and or energy have carried over the many years. The work has always developed upon critique of itself.

An Interview with legendary street artist Carlos Mare | Image

AR: Your work is heavily influenced by previous art movements, where did this love of art history come from?

Carlos: When I began writing Graffiti I wanted to absorb as much history about the writers before me, this interest in history helped me become better at my art, my style writing and it naturally carried over to my interest in overall art history. It was provocative for me, I asked a lot of questions about why artists make art and the conditions in which they make art and how relative it may be to our graffiti movement. Once I discovered how history connected itself to the overall Hip Hop history I began inheriting it in my work and art making theories. 

AR: What is the strangest thing or experience that has inspired an artwork of yours?

Carlos: A graffiti sculpture inspired a very famous Award I designed. In 1988 I designed a letter I sculpture  and in 2000 I was asked if I wanted to design the BET Award which is given to famous Musicians, Actors in the African American community, the award has design elements taken from the graffiti sculpture. 

AR: ‘Mondrian BBoy Composition’ is your newest print, what draws you so much to Mondrian as an artist?

Carlos: Mondrian is an artist I admired from a distance for many years, I was not sure what kind of dialogue would come of my interest in his work or philosophies. When I began researching his story I was moved by his and his compatriots of the De Stijl movement. His interest in Neo-Plasticism intrigued me but not so much in this series, this series remembers him in the way of the geometric grid paintings that features primary coloured geometries.

An Interview with legendary street artist Carlos Mare | Image

AR: How do you know when an artwork of yours is finally finished?

Carlos: It tells me. I listen.

AR: How do your ideas originate? Are you more spontaneous or methodical?

Carlos: Usually organically, depending on materials and environment.

AR: What do you want the viewer to take away from your art? Are there any particular stories or emotions you want to convey?

Carlos: If anything my work is an ongoing dialogue with art history so if they can see the bridge  and cross it there will be a lot to walk away with. As far as what it conveys and the response to it goes I leave that to the viewer.

AR: What's next for you?

Carlos: After the Bunker project in the South of France I return to London to spend studio time with Remi Rough, I will assist him on mural and then return to the US for an important showing at the Ft. Wayne Museum where Remi is co-curating an exhibition in dialogue with the American Abstract Expressionist painter from NYC in the 1950s. Having our works in relationship to theirs is an important conversation about the development of expressionistic art and art making since the 1950s. After that I go to Pittsburgh for a residency at Carrie Furnace/ Rivers of Steel, to work along side another Graffiti sculptor Micheal Walsh who introduced me to iron casting. I will be there for a period casting large scale Bboy sculptures with this enormous steel mill factory as a backdrop. 

Want to see more of Carlos' artworks? Click here to take a look at his Art Republic collection page.

Studio stock

£48

6 x 10 cm

Dreams Can Come True

55 x 56.5cm

£850

55 x 56.5cm

Masterpiece Minus Art Print by Remi Rough
Exclusive

Masterpiece Minus

42 x 29.7cm

£190

42 x 29.7cm

Love is the Drug - Pink Diamond Dust, 2020 Art Print by Ryan Callanan
Exclusive

£200

60 x 60cm

Debbie Harry Rainbow Art Print by Veebee
Exclusive
Veebee £160

£160

50 x 50cm

United Colour of London Art Print by Jayson Lilley
Exclusive

£195

31 x 24cm

Pangolin - Medium Art Print by Lisa Lloyd
Exclusive

Pangolin - Medium

40 x 40cm

£100

40 x 40cm

Not My First Rodeo (11th Edition) Art Print by Babak Ganjei
Exclusive

£135

50 x 70cm

Prince 2000 ZERO ZERO Art Print by Mike Edwards
Exclusive

£150

50 x 50cm

Rebel Rebel Art Print by R-W Studio
Exclusive

Rebel Rebel

50 x 50cm

£120

50 x 50cm

Choco POPek

15 x 12 x 6cm

£300

15 x 12 x 6cm

Pacific Grind

20.3 x 81cm

£200

20.3 x 81cm

Elvis Art Print by David Studwell
Exclusive

Elvis

50 x 50cm

£175

50 x 50cm

Gorilla - Lilac Foil

42 x 59.4cm

£195

42 x 59.4cm

MK-Ultra I

19 x 19cm

£65

19 x 19cm

Northern Scum Art Print by Katrina Russell-Adams
Exclusive

Northern Scum

29.7 x 42cm

£85

29.7 x 42cm

I Love London

22 x 17 cm

£60

22 x 17 cm

Kate Moss - Glow Art Print by VeeBee
Exclusive
VeeBee £285

Kate Moss - Glow

70 x 70 cm

£285

70 x 70 cm

£267

75 x 75cm

Humpek Purple Sculpture

12 x 6 x 12cm

£240

12 x 6 x 12cm

Fail Art Print by Babak Ganjei
Exclusive

Fail

50 x 70cm

£135

50 x 70cm

Sara Pope £150

Amped

18.3 x 18.3 x 3.2cm

£150

18.3 x 18.3 x 3.2cm

£165

45.72 x 60.96 cm

I Love Recycling

22 x 17 cm

£60

22 x 17 cm

£850

55 x 56.5cm

Ben Eine £35

£35

15 x 15cm each

R2Heart2 - Copper Art Print by RYCA
Exclusive
RYCA £150

R2Heart2 - Copper

50 x 70cm

£150

50 x 70cm

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